000			01992nam a2200181Ia 4500
008			230822s9999 xx 000 0 und d
020			_a 97802267133590226713350
041			_aeng
050			_aPN212 _b.R5213 1984-88
100			_aRicoeur, Paul
245		0	_aTime and narrative _b/ _cPaul Ricoeur; translated by Kathleen McLaughlin and David Pellauer
260			_aChicago : _bUniversity of Chicago Press, _c1984-88
300			_a3 v. _b; _c24 cm.
505			_aVol. 1. Preface. Part I: The circle of narrative and temporality. 1. The aporias of the experience of time: book 11 of Augustine's Confessions. 2. Emplotment: a reading of Aristotle's Poetics. 3. Time and narrative: threefold Mimesis. Part II: History and narrative. 4. The eclipse of narrative. 5. Defenses of narrative. 6. Historical intentionality. Conclusions. Notes. Index. -- Vol. 2. Preface. Part III: The configuration of time in fictional narrative. 1. The metamorphoses of the plot. 2. The semiotic constraints on narrativity. 3. Games with time. 4. The fictive experience of time. Conclusion. Notes. Index. -- Vol. 3. Part IV: Narrated time. Introduction. Section 1: The aporetics of temporality. 1. The time of the soul and the time of the world: the dispute between Augustine and Aristotle. 2. Intuitive time or invisible time? Husserl confronts Kant. 3. Temporality. historicality, within-time-ness: Heidegger and the "ordinary" concept of time. Section 2: Poetics of narrative: history, fiction, time. 4. Between lived time and universal time: historical time. 5. Fiction and its imaginative variations on time. 6. The reality of the past. 7. The world of the text and the world of the reader. 8. The interweaving of history and fiction. 9. Should we renounce Hegel? 10. Towards a hermeneutics of historical consciousness. Conclusions. Notes. Bibliography. Index.
650			_aNarration (Rhetoric)Time in literature.Mimesis in literature.
700			_aMcLaughlin, Kathleen Pellauer, David
999			_c44490 _d44490