000			03808nam a2200181Ia 4500
008			220820s9999 xx 000 0 und d
020			_a97806311804320631180435
041			_aeng
050			_aBR115.A8 _b.E25 1990
245		0	_aChristianity and Judaism : _bpapers read at the 1991 summer meeting and the 1992 winter meeting of the Ecclesiastical History Society _cedited by Diana Wood
260			_aOxford : _bBlackwell for the Society, _c1992, c1990
300			_axxiii, 585 p. : _bill. ; _c23 cm.
490			_aStudies in church history _v28
505			_aPreface Acknowledgements List of Contributors List of Abbreviations Introduction The Language of Images: the Rise of Icons and Christian Representation, Averil Cameron; Charlemagne as a Patron of Art, Henry Mayr-Harting; Make a Merry Noise! a Ninth-century Teacher Looks at Hymns, Alice L Harting-Correa; The Christian Zodiac on a Font at Hook Norton: Theology, Church and Art, Mary Charles Murray; Hugh of St Victor, Isaiah's Vision, and De arca Noe, Grover A Zinn, Jr; Advertise the Message: Images in Rome at the Turn of the Twelfth Century, Brenda M Bolton; Friars, Patrons, and Workshops at the Basilica del Santo, Padua, Louise Bourdua; Patrons and Minders: the Intrusion of the Secular into Sacred Spaces in the Late Middle Ages, Andrew Martindale; Rewarding Devotion: Indulgences and the Promotion of Images, Flora Lewis; Aristocratic and Popular Piety in the Patronage of Music in the Fifteenth-century Netherlands, Roger Bowers; Art and Identity in the Parish Communities of Late Medieval Kent, Judy Ann Ford; Medieval Liturgy as Theatre: the Props, R.N. Swanson; John Marbeck and The Book of Common Praier Noted, Kenneth W.T. Carleton; The Bishops' Bible Illustrations, Margaret Aston; The Silent Community: Early Puritans and the Patronage of the Arts, Brett Usher; Holiness in Beauty? Roman Catholics, Arminians, and the Aesthetics of Religion in Early Caroline England, Keith A. Newman; Iconoclasm, Iconography, and the Altar in the English Civil War, Jacqueline Eales; Baroque in the Hymn-book, Donald Davie; Art and Science: or Bach as an Expositor of the Bible, W.R. Ward; Contemporary Ecclesiastical Reactions to Home's Douglas, Henry R. Sefton; Gillows' Catholic Chapels, 1750-1800, Lindsay Boynton; Victorian Feminism and Catholic Art: the Case of Mrs Jameson, Sheridan Gilley; Henry Styleman le Strange: Tractarian, Artist, Squire, W.M. Jacob; The Victorian Revival of Plainsong in English: its Usage under Tractarians and Ritualists, Walter Hillsman; A Chapel and its Architect: James Cubitt and Union Chapel, Islington, 1879-1899 ( Presidential Address ), J.C.G. Binfield; Making Catholic Spaces: Women, Decor, and Devotion in the English Catholic Church, 1840-1900, Susan O'Brian; Music and Religion in the First World War, Stuart Mews; British Churches and the Cinema in the 1930s, G.I.T. Machin; Church Art and Church Discipline round about 1939, Brian Taylor; Patrick Macgill, 1890-1963: An Alternative Vision, Bernard Aspinwall; Honesty and Consecration: Paul Tillich's Criteria for a Religious Architecture, Martin Dudley; `Impressario, patron and indomitable persuader': Walter Hussey at St Matthew's, Northampton, and Chichester Cathedral, Garth Turner; Liverpool's Two Cathedrals, John Tarn; The Western Discovery of Non-Western Christian Art, A.F. Walls.Britain: Edward Royle; James Parkes, the Jews and Conversionism: a Model for Multi-Cultural Britain?: Tony Kushner; The Roman Catholic Church and Genocide in Croatia, 1941-1945: Jonathan Steinberg; Jewish and Christian Concepts of Time and Modern Anti-Judaism: Margaret F. Brearley; In The Shadow of the Millennium: Yaakov Ariel; BB.
650			_aChristliche Kunst -- Kongressbericht. Christliche Kunst.Geschichte.
700			_aWood, Diana
999			_c39989 _d39989