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  <titleInfo>
    <title>Covenant and eschatology</title>
    <subTitle>the divine drama</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Horton, Michael S.</namePart>
    <role>
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  <originInfo>
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    <place>
      <placeTerm type="text">Louisville, Ky</placeTerm>
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    <publisher>Westminster John Knox Press</publisher>
    <dateIssued>2002</dateIssued>
    <dateIssued encoding="marc">9999</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>351 p. ; 23 cm.</extent>
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  <tableOfContents>A God who acts? -- Accounting for divine action -- All the world's a stage -- Divine rhetoric -- Interpreting for divine discourse -- Implications of a covenantal hermeneutic -- Reintegrating the rhetoric of redemption -- Community theater.</tableOfContents>
  <note type="statement of responsibility">Michael S. Horton</note>
  <subject>
    <topic>Theology Methodology 20th century.Covenant theology.Postmodernism Religious aspects Christianity</topic>
  </subject>
  <classification authority="lcc">BR118  .H65 2002</classification>
  <identifier type="isbn">97806642250180664225012</identifier>
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