papers read at the 1991 summer meeting and the 1992 winter meeting of the Ecclesiastical History Society Wood, Diana text xx Oxford Blackwell for the Society 1992, c1990 9999 monographic und eng

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xxiii, 585 p. : ill. ; 23 cm. Preface Acknowledgements List of Contributors List of Abbreviations Introduction The Language of Images: the Rise of Icons and Christian Representation, Averil Cameron; Charlemagne as a Patron of Art, Henry Mayr-Harting; Make a Merry Noise! a Ninth-century Teacher Looks at Hymns, Alice L Harting-Correa; The Christian Zodiac on a Font at Hook Norton: Theology, Church and Art, Mary Charles Murray; Hugh of St Victor, Isaiah's Vision, and De arca Noe, Grover A Zinn, Jr; Advertise the Message: Images in Rome at the Turn of the Twelfth Century, Brenda M Bolton; Friars, Patrons, and Workshops at the Basilica del Santo, Padua, Louise Bourdua; Patrons and Minders: the Intrusion of the Secular into Sacred Spaces in the Late Middle Ages, Andrew Martindale; Rewarding Devotion: Indulgences and the Promotion of Images, Flora Lewis; Aristocratic and Popular Piety in the Patronage of Music in the Fifteenth-century Netherlands, Roger Bowers; Art and Identity in the Parish Communities of Late Medieval Kent, Judy Ann Ford; Medieval Liturgy as Theatre: the Props, R.N. Swanson; John Marbeck and The Book of Common Praier Noted, Kenneth W.T. Carleton; The Bishops' Bible Illustrations, Margaret Aston; The Silent Community: Early Puritans and the Patronage of the Arts, Brett Usher; Holiness in Beauty? Roman Catholics, Arminians, and the Aesthetics of Religion in Early Caroline England, Keith A. Newman; Iconoclasm, Iconography, and the Altar in the English Civil War, Jacqueline Eales; Baroque in the Hymn-book, Donald Davie; Art and Science: or Bach as an Expositor of the Bible, W.R. Ward; Contemporary Ecclesiastical Reactions to Home's Douglas, Henry R. Sefton; Gillows' Catholic Chapels, 1750-1800, Lindsay Boynton; Victorian Feminism and Catholic Art: the Case of Mrs Jameson, Sheridan Gilley; Henry Styleman le Strange: Tractarian, Artist, Squire, W.M. Jacob; The Victorian Revival of Plainsong in English: its Usage under Tractarians and Ritualists, Walter Hillsman; A Chapel and its Architect: James Cubitt and Union Chapel, Islington, 1879-1899 ( Presidential Address ), J.C.G. Binfield; Making Catholic Spaces: Women, Decor, and Devotion in the English Catholic Church, 1840-1900, Susan O'Brian; Music and Religion in the First World War, Stuart Mews; British Churches and the Cinema in the 1930s, G.I.T. Machin; Church Art and Church Discipline round about 1939, Brian Taylor; Patrick Macgill, 1890-1963: An Alternative Vision, Bernard Aspinwall; Honesty and Consecration: Paul Tillich's Criteria for a Religious Architecture, Martin Dudley; `Impressario, patron and indomitable persuader': Walter Hussey at St Matthew's, Northampton, and Chichester Cathedral, Garth Turner; Liverpool's Two Cathedrals, John Tarn; The Western Discovery of Non-Western Christian Art, A.F. Walls.Britain: Edward Royle; James Parkes, the Jews and Conversionism: a Model for Multi-Cultural Britain?: Tony Kushner; The Roman Catholic Church and Genocide in Croatia, 1941-1945: Jonathan Steinberg; Jewish and Christian Concepts of Time and Modern Anti-Judaism: Margaret F. Brearley; In The Shadow of the Millennium: Yaakov Ariel; BB. edited by Diana Wood Christliche Kunst -- Kongressbericht. Christliche Kunst.Geschichte BR115.A8 .E25 1990 97806311804320631180435 220820